Main Language: English, French . Jacques Derrida. Ghost Dance. Even less attention has been given to the small number of non-fictional films that focus specifically on philosophers and their work. Opera filosofică 1983, GB, Looseyard for Channel 4 in collaboration with Zweites Deutsches Fernsehen. Discover how BFI NETWORK is supporting new and emerging filmmakers; I want to… See projects backed by the BFI. Derrida outlines what the film is really about: ghosts as figures generated by processes of memory, mourning and death - and how the rise of technological images & mediation is leading to a proliferation of ghosts. Dominique Pinon. As someone who has some historical awareness, I was in Vienna for the 500th anniversary celebration of the event back in 1983, when I was in my 20s. ( Log Out /  Mr. Derrida, who plays himself in an improvised sequence with Miss Ogier, observes, ''I think cinema, when it's not boring, is the art of letting ghosts come back.'' In Ken McMullen’s nebulous musings on technology and the life of ideas, pushed along on hazy currents by Jacques Derrida’s commentary, topics such as class struggle, colonialism and anthropology all get folded into an unstable and mercurial mixture, bobbing about like jetsam. In the midst of your repeated calls to your beloved in The Post Card, you describe receiving a call from someone claiming to be Martin Heidegger – a call you refuse to answer. (played by Pascale Ogier, who died shortly after the film was completed). Change ), Check out a random post from the Fleurmach archive. Through the experiences of two women in Paris and London, Ghost Dance offers an analysis of the complexity of our conceptions of ghosts, memory and the past. Cinéma Cinémas - Pascale Ogier - 1984 Par Pierre-André Boutang & Claude Ventura Had her death been discussed in the subtext of this scene? You don’t always say ‘yes’. Heralded as "a small masterpiece" and "the very best of Rohmer" by The New York Times, it is the story of Louise (Pascale Ogier), a young interior designer bored with her life in the sleepy suburbs with her live-in boyfriend Remi, an architect by trade and a homebody by nature. In Ghost Dance Derrida is interviewed in his office by a student (played by Pascale Ogier, who died shortly after the film was completed). He’s talking about ‪#‎PokémonGo‬ from 3:40 ;). Through the experiences of two women in Paris and London, Ghost Dance offers a stunning analysis of the complexity of our conceptions of ghosts memory and the past. Heralded as "a small masterpiece" and "the very best of Rohmer" by The New York Times, it is the story of Louise (Pascale Ogier), a young interior designer bored with her life in the sleepy suburbs with her live-in boyfriend Remi, an architect by trade and a homebody by nature. ( Log Out /  Over 10 million scientific documents at your fingertips. Click to share on Facebook (Opens in new window), Click to share on Twitter (Opens in new window), Click to share on Tumblr (Opens in new window), Click to share on Pinterest (Opens in new window), Click to email this to a friend (Opens in new window), i will devour (one last toast mix) (2017). Synopsis Through the experiences of two women in Paris and London, Ghost Dance offers an analysis of the complexity of our conceptions of ghosts, memory and the past. Through the experiences of two women in Paris and London, Ghost Dance offers a stunning analysis of the complexity of our conceptions of ghosts memory and the past. Highlight. Tragically, Pascale Ogier was dead within a short time. 0/10 (0 votes) Synopsis. Jacques Derrida. From Ghost Dance: Questions that may be more than questions. Pe lângă aceste activități, el primește și un rol în filmul "Ghost Dance", alături de Pascale Ogier. Not logged in BERGER John Berger in ‘Art, Poetry and Particle Physics’ Ken McMullen. Although the question of ‘film as philosophy’ has attracted much attention, most discussion has focused on narrative film with only occasional references to documentary. He also says that 'memory is the past that has never had the form of the present.' 'Years later in Texas', Derrida, watching the movie, found himself faced to the image of Pascale Ogier saying to him, on and from the screen, that she believes/ believed in ghosts. Although the question of ‘film as philosophy’ has attracted much attention, most discussion has focused on narrative film with only occasional references to documentary. Pascale Ogier’s subsequent death drew Derrida into recollection of looking into her eyes, at the request of the director, with her having instructed him in establishing what filmmakers call ‘the eyeline’, looking at her looking at him, and responding to his question by saying, ‘Yes, now I do, yes’. 27/03/2019 Pascale Ogier par Marie Sorbier (I/O www.iogazette.fr) 07/01/2019 Pascale Oogier par Laura Tuillier (Les Cahiers du Cinéma) 21/12/2018 Pascale Ogier par Romain Charbon (Grazia) 17/11/2018 Pascale Ogier par Anne Diatkine (Libération) 01/11/2018 A la poursuite d'une étoile filante de Thomas E. Florin (Vanity Fair) Derrida was to play the scenes opposite the talented French actress Pascale Ogier. Five Works with Jacque Derrida, (1993-1996) 1871, (1990) Partition, (1987) Zina, (1985) Being and Doing, (1984) Ghost Dance, (1983) Resistance (1981) The Shaman's Arrow (1979. By this time, Pascale Ogier … Derrida on the Line Sarah Jackson Abstract By offering us a voice that is both at a distance and inside one’s own head, ... Pascale Ogier’s white cordless phone is chewed up and spat out by a shopkeeper, 1But you don’t always pick up. These keywords were added by machine and not by the authors. Ken McMullen / Jacques Derrida Jacques Derrida interviewed by Pascale Ogier about the ‘Science of Ghosts’ in Ken McMullen ‘s film ‘Ghost Dance’ (1983) By dd | Posted in Composition | Also tagged dance , deconstruction , film , ghost , I want to believe , jacques derrida , ken mcmullen , memory , pascale ogier , philosophy , science of ghosts , spectre , telephone | Comments (0) Any synopsis gives inevitably a very selective account of Ghost Dance. Jacques Derrida. 33 Except maybe our belief in death, that is to say a form of certainty, not a delusion (Lacan). Thus, after Piacere has confessed his fear that Bellezza will be swayed by Truth’s images of transience, we are presented with a pipe-clutching Jacques Derrida who pontificates pompously about cinema, psychoanalysis and Freud, in an interview with Pascale Ogier in which the latter is a portrait of lip-trembling, breathy, wide-eyed adulation. Five Works with Jacque Derrida, (1993-1996) 1871, (1990) Partition, (1987) Zina, (1985) Being and Doing, (1984) Ghost Dance, (1983) Resistance (1981) The ... with Jacques Derrida and Pascale Ogier. Directed by Kirby Dick, Amy Ziering. GHOST DANCE. I had the overwhelming feeling of the return of her ghost, the ghost of her ghost, coming back to say to me, to me, here, now: ‘Now... now... now, that is, in this darkened room, on another continent, in another world, there, now, yes, believe me, I believe in ghosts.’1. Jacques Derrida is the film’s intellectual core, as the extract above also reveals. She was replying to my question: ‘Do you believe in ghosts?’ As if she were looking straight into my eyes, she was still saying to me on the big screen: ‘Yes, now, yes.’ Which now? Ogier tragically died just after the film was completed. Fill in your details below or click an icon to log in: You are commenting using your WordPress.com account. Not affiliated Unable to display preview. A decedat în 2004 la Paris. În 1983 este creat "Colegiul internațional de filosofie", al cărui prim director este chiar Derrida. Get help as a new filmmaker and find out about NETWORK The film focuses on the French philosopher Jacques Derrida, who observes, 'I think cinema, when it's not boring, is the art of letting ghosts come back.' jacques derrida & “the science of ghosts” (1983) Posted on July 18, 2016 by cherry bomb Jacques Derrida appearing as himself in Ken McMullen’s Ghost Dance, interviewed by Pascale Ogier in 1983. Stuart Brisley. Pe lângă aceste activități, el primește și un rol în filmul "Ghost Dance", alături de Pascale Ogier. Much has been written about this sequence which became a seminal text. This theory is explored in the film. cast: Marianne: Leonie Mellinger Pascale: Pascale Ogier George: Robbie Coltrane himself: Jacques Derrida salesman/guide: Dominique Pinon action on water: Stuart Brisley American Professor: John Annette. Share Tweet. DVD GBP 19.79. Aspect Ratio: Aspect Ratio 4:3. Through the experiences of two women in Paris and London, Ghost Dance offers an analysis of the complexity of our conceptions of ghosts, memory and the past. In Ken McMullen’s 1983 film Ghost Dance, Jacques Derrida, improvising the role of a professor, is asked by Pascale Ogier, improvising the role of a student, whether he believes in ghosts. Opera filosofică this point. Release date 15/01/2006 . Jacques Derrida was discussing this as early as 1983, notably in a now seminal dialogue with Pascale Ogier (who would pass away one day before her twenty-six birthday in 1984) in Ken McMullen’s Ghost Dance, in which Derrida appears as himself, and where he pronounced this famous definition of cinema as being ‘the art of ghosts’, to which Derrida adds ‘and here the ghost is me’. Firstly, you’re asking a ghost whether he believes in ghosts. Of course all this means that the film has, nearly thirty years on, itself become a ghostly artifact. Share Tweet. Years afterwards in Texas. Through the experiences of two women in Paris and London, Ghost Dance offers a analysis of the complexity of our conceptions of ghosts, memory and the past. Sorry, your blog cannot share posts by email. In Ken McMullen’s 1983 film Ghost Dance, Jacques Derrida, improvising the role of a professor, is asked by Pascale Ogier, improvising the role of a student, whether he believes in ghosts.Derrida answers: That’s a difficult question. Ratings Info Contains strong language. She asks him, whether he believes in ghosts, and he explains that this is a somewhat difficult question because, right here, right now, she is speaking to a ghost (in the Shortly after the film was made, the lead actor, Pascale Ogier, died suddenly. He also says that 'memory is the past that has never had the form of the present.' Leonie Mellinger Pascale Ogier Robbie Coltrane Jacques Derrida Dominique Pinon Stuart Brisley. 132.148.155.205, In 1982, Derrida appeared in Ken McMullen’s film. Pascale Ogier. Filosof francez, Jacques Derrida s-a nascut in 1930 la El-Biar, in Algeria, unde face școala primara și liceul. In many ways, Full Moon in Paris is a portrait of Pascale Ogier’s moment, and of her personality and taste. Number of Discs: 1. She asks him, whether he believes in ghosts, and he explains that this is a somewhat difficult question because, right here, right now, she is speaking to a ghost (in the sense outlined above, namely Derrida’s filmic presence relying on his physical absence). The film focuses on the French philosopher Jacques Derrida, who observes, ‘I think cinema, when it’s not boring, is the art of letting ghosts come back.’ She won the Volpi Cup, and posthumously received a César Award nomination for her role in the 1984 film, Full … The film focuses on the French philosopher Jacques Derrida, who observes, 'I think cinema, when it's not boring, is the art of letting ghosts come back.' With Jacques Derrida, Marguerite Derrida, René Major, Chantal Major. In Echographies of Television, Derrida speaks of the experience of watching the film again after Ogier’s death, of seeing a woman who listens to him saying ‘the future belongs to ghosts’, who is now herself a ghost and thus has become the future of what Derrida said. In 1982, Derrida appeared in Ken McMullen’s film Ghost Dance as a philosopher interviewed by the actress Pascale Ogier about ghosts. He’s talking about ‪#‎PokémonGo‬ from 3:40 ;). Director(s) Ken Mc Mullen Cast includes Pascale Ogier, Leonie Mellinger, Robbie Coltrane, Dominique Pinon, Stuart Brisly, Jaques Derrida, Iain Robertson, Georges Levantis, Archie Pool, Barbera Coles, Ken Mc Mullen, Subtitle Languages: French, Spanish. Stories (1977) Being and Doing (1975-80) With Performance Artist Stuart Brisley. The 9/11 date was chosen because that was the date that the Turks were turned back at the Gates of Vienna. as Marianne. Pascale Ogier’s subsequent death drew Derrida into recollection of looking into her eyes, at the request of the director, with her having instructed him in establishing what filmmakers call ‘the eyeline’, looking at her looking at him, and responding to his question by saying, ‘Yes, now I do, yes’. 2004. © 2020 Springer Nature Switzerland AG. In 1982, Derrida appeared in Ken McMullen’s film Ghost Dance as a philosopher interviewed by the actress Pascale Ogier about ghosts. Jacques Derrida appearing as himself in Ken McMullen’s Ghost Dance, interviewed by Pascale Ogier in 1983. by Robert Sinnerbrink. sequence, Pascale Ogier’s white cordless phone is chewed up and spat out by a shopkeeper, 1But you don’t always pick up. Miracle and Machine is a sort of "reader's guide" to Jacques Derrida's 1994-95 essay "faith and knowledge," his most important work on the nature of religion in general and on the unprecedented forms it is taking today through science and the media. Cite as, I suddenly saw Pascale’s face appear on the screen, and I knew it was the face of a dead woman. Post was not sent - check your email addresses! 27/03/2019 Pascale Ogier par Marie Sorbier (I/O www.iogazette.fr) 07/01/2019 Pascale Oogier par Laura Tuillier (Les Cahiers du Cinéma) 21/12/2018 Pascale Ogier par Romain Charbon (Grazia) 17/11/2018 Pascale Ogier par Anne Diatkine (Libération) 01/11/2018 A la poursuite d'une étoile filante de Thomas E. Florin (Vanity Fair) as Pascale. Pascale Marguerite Cécile Claude Colette Nicolas (26 October 1958 – 25 October 1984), better known as Pascale Ogier, was a French actress. Intr-o Algerie care depindea de Franța ocupata de naziști, și in care incepand din 1940 evreii erau excluși din invațamant și din justiție, Derrida este exmatriculat de la liceul Ben Aknoun. Type of media Video. Pascale: Pascale Ogier George: Robbie Coltrane himself: Jacques Derrida salesman/guide: Dominique Pinon action on water: Stuart Brisley American Professor: John Annette . Even less attention has been given to the small number of non-fictional films that focus specifically on philosophers and their work.

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